Over the last couple of years, the blog has covered a lot of topics of interest to ELT authors so we thought it might be useful to look back at them and collect them all in one place.
In the previous instalment of our interview with former Deputy MD of Cambridge University Press, John Tuttle we talked about how the ELT publishing industry has evolved and some of the factors that have contributed to that evolution. In this post, our conversation turns to the role of the author in ELT publishing and how that might change over time.
If authors are becoming contractors rather than partners, that changes the role of both author and publisher in a big way. But why is it happening, and is it yet reflected in how publishers work?
If the author is no longer a collaborator, then the publisher must take on that role and so in effect become the ‘master’ author to whom they subcontract the details. This would be analogous to those master painters of old who would paint the head and hands of a portrait, leaving the sitter’s clothing and the background details to be filled in by their apprentices.
Are writers’ attitudes to royalties realistic? Or have they simply got used to a system that is actually very strange?